Fuji of The Chronicles of Fuji, threw down a challenge / contest with a post at the start of February. It’s a great idea – connect a player to another through cards by way of the six degrees of separation concept.
It’s been a tough month to find time to post but I was able to eke this out. So here’s my take on Fuji’s idea – a card journey that starts with 1975 Topps.
I start with Card #1 of 1975 Topps: Hank Aaron’s landmark setting record documented on a card. It’s the first place I’d start for many reasons. It had meaning not only for baseball but also for social reasons. Plus the event and the trying time leading up to it speaks to Hank Aaron’s character.
The first connection is to Al Downing, the pitcher that Aaron hit his 715th record setting home run.
Tom House is the guy who caught the ball – here’s his recollection about it. House was born in Seattle Washington and coincidentally he also made his last MLB appearance with the Seattle Mariners. House gave the ball back to Aaron, his Atlanta Braves team mate (there were players positioned in the stands to catch it).
After retiring House coached for the San Diego Padres, the team that Dave Winfield started playing on in the majors. And out of all the players in the 1975 Topps set – Winfield’s the one who played the longest, retiring in 1995. Nobody from the set lasted until 1995.
George Brett also started his MLB career in 1973. Here’s a young and older Brett. He played for one team during his whole career. He retired on October 3, 1993.
And tying it back to 1975 Topps, Robin Yount retired on the same exact date that George Brett retired. Like Brett, he also played on one team, his entire career, the Milwaukee Brewers. He was the final 1975 Topps player (that was also Hank Aaron’s teammate) to retire.
When I think of baseball players from the 70’s, I picture them as seen in their photos from the 1975 Topps set.
And that’s the way it was… until I caught a glimpse of some SSPC cards that were unique in all sorts of ways. I got the whole set and my world view of how baseball players should’ve looked in ’75 changed.
The Charlie Williams that I saw at my local mini-mart had with straight hair but he’d already transformed into some serious curls that year. It took until 1978 Topps Charlie Williams to ditch the perm.
This dusk shot of Williams captures the sun setting at the ballpark so well that it transcends being just a card. It makes me feel like I’m in the middle of a warm summer night
Carl had a lot of portrait cards looking as if deep in thought, but this may be him at his most intense.
Unlike many 1975 Topps “Staring into the sky” portraits, this one evokes something deep within Carl. If it were on a 1975 Topps card, it would easily make my Top 20.
When think of the 70’s, I think of facial hair. And there’s a bunch of it in the 1975 Topps Set.
But there are players like Darrell Porter who are clean shaven in the Topps set but have a lot more hair on their SSPC card – like Darrell’s horseshoe mustache. If Topps Porter ran into SSPC Porter in a bar, I don’t think he’d want to start any trouble with himself.
Like Porter and Munson, Jim Colburn was clean shaven on his 1975 card but sporting a twirly mustache on the SSPC.
Finding the SSPC set was like unearthing photographs of people you’ve known all your life and discovering their wild and crazy side.
Strike a Pose.
Porter migrated to handle bars and Thurmon migrated to a beard.
I haven’t seen a pose like this one on a card, so until I know different, this is a unique one of a kind.
Catfish Hunter’s SSPC card pictures him in a pose that matches his nickname.
If you bought a Topps card in 1975, his card showed him as an Athletic but he was really a Yankee by then. If you own the SSPC card, that covers both teams he played on (though technically he started as a Kansas City Athletic).
Bake McBride is another player with an SSPC card that’s more nickname appropriate.
Some of the photographs in the 1975 Topps and the 1976 SSPC sets are so different it’s hard to tell it’s the same person. And others, like this one of Rudy May are more subtle.
I was used to the sullen Topps Rudy May that I’ve grown accustomed to for decades. When I picked up the SSPC recently, there’s familiar Rudy with the same glasses (a little crooked), a Yankees cap (not airbrushed), and sort of a grin. Plus he’s got a gold chain.
And there’s more. More of his Yankees uniform. More of the background with a stadium full of fans.
That’s what I like about this SSPC set. It’s a different perspective on familiar faces from the Topps set. And that’s pretty cool.
This might be one of Nolan’s weirdest cards. It’s like he’s practicing pitching. I like the focus and intensity it captures. I also like the stadium and fans in the background.